Stefan, as always, is a pleasure to work with. Sweet. 6/7. I'm going to begin by reciting a poem. Design Indaba®, Cape Town Design Week® and South African Design Week® are registered trademarks of Interactive Africa. In 2003 the canadian designer gave up her life as a graphic designer to pursue her own personal approach to designing. ... "I was thinking about Marian's sugar piece. Our database of African and international creatives and companies making waves in the design world. As a visual designer, she has tackled a variety of media and multiple projects. The idea just came as she was playing around with sugar. Sign up to Design Indaba News for updates on Design Indaba events and projects. ... An example of this is her sugar project for Stefan … Ontdek (en bewaar!) With her love for old-fashioned correspondence, she reclaims letters and postcards and continues the tradition with a project she … These days, I’m in a difficult space because I outright reject almost anyone who asks for anything pretty or swirly. Labels one wants to stick to her tend to slip off. "And it occurred to me, I didn't have to make this "with paper." … The main factor for her success in the graphic design field is to have a strong expression of personal style. Marian began creating work that she loved instead of working for… He needed it both for 6 or 8 pages in Copy Magazine, and for his new (Feb. 2008) book Things I have learned in my life so far. Salazar Student Awards poster, 2007. She uses a wide variety of media in her work (even creating letters out of sugar). I remember a book with little drawings in the margins, one of which was of some beetles (and this is how I imagined The Beatles, as a band of beetles like the drawings in the book). A wide selection of contemporary design carpets. Most often praised for her delicate handwork and ornamental style, her work is personal, fluid, looping and intense. This colourful piece of vector art was created for the British Columbia Chapter of Society of Graphic Designers of Canada. With her unique approach to typography and illustration, Canadian maverick Marian Bantjes has captured the attention of the design world. At the Chicago Design Museum opening party on June 10, as attendees celebrated and congregated around banks of displays, designer Marian Bantjes stood aside, circling a table and slowly ripping up flowers. You might call Marian Bantjes a graphic designer; or an illustrator, typographer, painter, or writer. As soon as you look at her work, its not hard to see why she’s so memorable — her extreme obsession with detail and ornamental precision is something that’s absolutely beyond my understanding. She used simple childlike objects and activities and became the author of a grand piece. And of course the Creative Review monograph, Love Stories, was very satisfying because it was all personal work. But within that there is often a complexity that goes beyond the immediate image. But we can certainly add to this the sugar pieces I did for Stefan Sagmeister, an adventure in a medium that was just piles of fun to work … 27.10.2014 - Marian Bantjes repeated this phrase six times in sugar as part of Stefan Sagmeister’s series “Things I have learned in my life so far.” Marian Bantjes. As a typesetter, 20 years ago, I worked on books, which is a very structured, rule-bound environment. Graphex is Canada’s biannual awards show. This is a selection of my recent and best work from the past. Other designers have followed suit, and now it would seem that lettering and calligraphy are everywhere. Her beautifully elaborate scripts and ornamented letters remind me, if not in style at least in concept, of graffiti pieces. Your influences seem to be predominantly those people, objects, buildings and artists that have surface as an independent value. I look for people who are hiring me for something new and unexpected. Sometimes I just accept everything, but then I start running into trouble: maybe the clients are asking for something I don’t want to give, or maybe we’re not communicating well, or maybe I’ve taken on too much and I get tired... and then I switch and reject everything. They were all designed to cross a page spread. Trailer: Michael Bierut on how to think like a designer, Future Sketches an interactive installation by Zach Lieberman, The children and education design of the future, Yinka Ilori explores how seating systems shape human interactions. Just last week a student came to me and said, "I was thinking about Marian's sugar piece, and it occurred to me, I didn't have to make this with paper." You seem to have the luxury of choice, which is always nice. Photo courtesy of OCAD University. I can’t say. Marian Bantjes is a designer, typographer, writer, and illustrator. During class, we watched a TED talk by Marian Bantjes. It provides users with tools to create and maintain a digital portfolio of their learning and social networking features to allow users to interact with each other. 4/7. Working from a small island near Vancouver, Canada, she has developed a very personal graphical style combining natural materials such as flowers, pasta and sugar with the most advanced computer techniques. By continuing on this website, you agree to our use of cookies. Graphic designer and typographer Stefan Sagmeister is the founder of design firm Sagmeister & Walsh Inc. in New York City. Puzzle Special, 2007. Design Indaba welcomes this sea change – we have been out on a limb about the economic power of design since 1995. Restraint, 2007. ... she has produced a diverse portfolio of work that includes disintegrating fonts made out of … Mahara is an open source ePortfolio and social networking web application. I can only dream of ever being as patient as she is when it … Apr 22, 2014 - Another of my favourite designers/illustrators. Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. I’m prejudiced against Canadians and Canadian companies (I very seldom work for people in my own country). Delicately tearing petals and leaves to make a floral mosaic that spelled out the word “sorrow,” she was the picture of the concentrating artist. Biography by Marian Bantjes September 13, 2006 . ... His thoughts on Canadian lives remain unknown, but Marian Bantjes seems to disprove his theory. I … Also, she uses pasta to craft into baroque borders and places real plants for decorations. A large part of the exhibition is devoted to Valentine’s Day, and her … Bantjes’s intricate text graphic created using sugar. I like to make things that need to be figured out or pondered in some way. I made the phrase five times, photographed it, and then destroyed it and photographed the destroyed version. If I Want to Explore a New Direction Professionally, it is Helpful to Try it Out for Myself First, 2007. On what basis do you choose your projects? Mostly I hate to be bored, and repeating myself is usually boring, which is why I really need people who are willing to take a leap of faith with me. Marian Bantjes. Her second act has been an inspiration for thousands of people, but if Pretty Pictures is a full stop – and if she is sick of telling her “transformative story” – then it may be time for Act Three. See more ideas about typography, illustrators, typography design. May 9, 2015 - In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a … And Marian Bantjes proves it – ever made a typographical design using sugar? Her career began as a book typesetter until she co-founded and ran her own graphic design studio, Digitopolis, and then branched off to work on her own as a graphic artist and letterer. That carries through to my work today, though it’s not always evident. Some read down the left first, then back up top and down the right; others read across the spread. With a solid background in typography and illustration, and loads of experience in design, Bantjes has taken her work from an island off the west coast of Canada to the global stage. Marian Bantjes’s fabric design (octopus and squid) for Anni Kuan is hung on a wall covered with the bird wallpaper pattern she created for Maharam Digital Projects . In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a new direction professionally, it is helpful to try it out for myself first.” Which was appropriate for me, as that is what I had done with “Indestructible.”. I prefer people who tell me what their budget is up front, and like them even more if it’s a healthy sum – though I will trade a smaller budget for creative freedom provided it’s not advertising or a large client. Pentagram partner Michael Bierut is the winner of hundreds of design awards and has work in permanent collections including MOMA and the Met in New York City. Or you could simply save your breath and call … He was so impressed with her sugar piece she did for the Fox River Paper booklet that asked to use sugar to create his phrase “ If I want to explore a new direction professionally, it is helpful to try it out for myself first “. I am an image maker. ... For example, she put sugar on the white surface and draws words with her free hand, which is inspired by Stefan Sagmeister’s works. Marian is known for her detailed, precise vector art, her obsessive handwork, her patterning, and ornament. In 2003, she went solo in order to pursue her own projects and ot od since then that she has come into her own. Marian Bantjes is an internationally recognized designer, illustrator, writer and typographer. Sagmeister Sugar In 2007, Stefan Sagmeister asked me to contribute once again to his series “Things I have learned in my life so far.” He had seen the piece I made from sugar (“Indestructible”), and asked me to use sugar once again to create his phrase “If I want to explore a new direction professionally, it is helpful to try it out for myself first.” Fiona Zerbst: What techniques and formal values have you learnt from typography? Marian Bantjes’s fabric design (octopus and squid) for Anni Kuan is hung on a wall covered with the bird wallpaper pattern she created for Maharam Digital Projects 4/7 Bantjes’s intricate text graphic created using sugar. I’m nervous about those who send me selected images from my website for direction, and I outright reject anyone who sends me images of someone else’s work. It doesn’t mean I’ll never do it again, it just means I’ll only do it if I decide I can find an interesting way of doing it. So where do you start? ... Ads for Gary Fisher Genesis Geometry and Sugar Geometry (1999) Portfolio piece: For Better or for Worth (2005) This piece, more … The Design Ignites Change poster was also very satisfying – maybe even more so than Sustainability, as the proceeds went to a good cause. And we are the richer for it. Saks Fifth Avenue Want It! Whimsical, feisty and just plain beautiful, Marian Bantjes’s work has escaped the confines and conventions of style and genre, unfurling like a long, gorgeous ribbon, among many strands of visual communication. Matt Havercroft tracked her down to her remote island studio to explore her body of work. One of her pieces was how she took sugar and made a typographic visual image with the sugar and became the author of that piece. Fiona Zerbst: What techniques and formal values have you learnt from typography? Designers such as Marian Bantjes, Jessica Hische, Sean Wes and Martina Flor, just to name a few, have become not only an inspiration to the rest of us, but also a standard. Sep 11, 2015 - Explore Katia Ojea's board "Marian Bantjes" on Pinterest. It depends on what I’m doing, what effect I’m trying to get – and I’m always trying new things. Marian Bantjes has an affinity with the fantastical, which makes its presence felt throughout the exhibition, in its graphical design elements, which she created, and in the German title she chose to give it. And this project began essentially on my kitchen table. And … So, in that sense I’m all about the image/the surface. Recognition 2006 AIGA Medal Born 1951, Pittsburgh, Pennsylvania Recognized for the passion and intelligence of his influential work, inspiration to his colleagues and mentorship to a generation of students. Currently, … "Oh beloved dentist: Your rubber fingers in my mouth ... your voice so soft and muffled ... Lower the mask, dear dentist, lower the mask." This vector art poster was created for the paper company Stora Enso, and contains two variable repeating patterns and archival photos from the Library of Congress. Whether with ballpoint pen, sugar, or faux fur, Marian Bantjes gets her message across By Ashley Schwellenbach. Working in vector art, glitter, fur, ink, oil, dirt, sugar, pencil, watercolour and more, Bantjes is following her bliss – carefully, obsessively and exquisitely. Marian is known for her detailed, precise vector art, her obsessive handwork, her patterning, and ornament. I have heard about her in a mild, faint way at first – I’ve seen, I don’t remember where, her drawn type made of sugar. At the Chicago Design Museum opening party on June 10, as attendees celebrated and congregated around banks of displays, designer Marian Bantjes stood aside, circling a table and slowly ripping up flowers. ... Graphic designer Marian Bantjes has collaborated with numerous design legends, including Debbie Millman from Sterling Brands, Michael Bierut and Paula Scher from Pentagram/NY, Sean … Good projects come from people whom I know and trust (such as Michael Bierut at Pentagram or Stefan Sagmeister), or which are fairly open in the brief. From sugar, to Christmas cards, she uses anything to visually tell a story. It's not all flat-screen paper. But I am aware … Bantjes describes her work as “graphic art” because she incorporates fine art with the fundamentals of graphic design. This website requires cookies to provide all of its features. How important is surface and the techniques that make it up? Working in vector art, glitter, fur, ink, oil, dirt, sugar, pencil, watercolour and more, Bantjes is following her bliss – carefully, obsessively  and exquisitely. My latest project is the National Book Festival poster for the Library of Congress in Washington, USA.. It’s a surprisingly big deal. click to enlarge. Mahara is an open source ePortfolio and social networking web application. Marian Bantjes is a graphic designer and also a hands on inventive and creative soul. She is a Canadian designer, artist, illustrator, typographer, and writer. Marian Bantjes: I can remember scribbling on walls … probably when I was two or three. How has it formed your style? Marian Bantjes is a designer, typographer, writer, and illustrator. Michael Bierut runs us through some of his major projects and the thought processes behind them: a rare opportunity to get into his award-winning mind. Also, just knowing quite a bit about letterforms – although this is something I still consider myself weak on – has helped make my work be... well… a lot less sloppy than that of many other people’s. I know when people have the money and I get very pissed off when ad agencies or well-known brands approach me with small budgets! She dropped out of art school after a year and in 1983 ‘fell in’ to a job with book publisher Hartley & Marks, where she did general jobs and helped with paste-up at its typesetting sibling, TypeWorks. ... enhance her letters: sugar, flowers, pasta, cake decorations, etc. Visitors are invited to wander through a golden-walled labyrinth and discover her inventive works made of crystallised sugar, pasta, embroidery and metal. je eigen pins op Pinterest. She uses anything she can get her hands on and turns it into a masterpiece. It gained recognition, thanks to Rick Valicenti, from being included in a sample-portfolio of Bantjes work using ‘Fox River Paper’, now known as ‘Neenah Paper’. But I am aware of the influence of structure on my work. Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. Marian Bantjes 711,459 views • 16:28. Sign up to Design Indaba Weekly for the latest design news and inspiration. Kudos to Li Edelkoort who predicted all this in 2003 and John Bauer who found happiness. All of my work from 2003–2013 is documented in my monograph, Pretty Pictures. She then noticed it made a pattern. Marian Bantjes draws inspiration from art deco, rococo, pop art, romanticism and gothic styles, juxtaposing them in unexpected ways to create a coherent visual universe. I am like, exactly, yes. People who are willing to trust that I can figure it out and make the right decision. That is, as opposed to a “conceptual” designer, or someone who relies on process or the user experience as an interactive thing. IMAGE BY MARIAN BANTJES SPAM 1 : A Bantjes pen-and-ink illustration appeared in the centerfold of the Vancouver Review. Graphic designer Marian Bantjes has collaborated with numerous design legends, including Debbie Millman from Sterling Brands, Michael Bierut and Paula Scher from Pentagram/NY, Sean Adams from AdamsMorioka, and Stefan Sagmeister—all of whom are featured in this film. I’ve come to recognise the signs of the good and the bad. It said: “Indestructible”, done in a manner of creating a mandala, only in sugar, white sugar on white background. It comes and goes. This ornamental font was created in collaboration with Ross Mills. Marian Bantjes has been variously described as a typographer, designer, artist and writer. Born in 1963, Bantjes began her career in visual communication as a book typesetter for 10 years (from 1984 to 1994). 5/7. But design is not the only creative industry responding to these changes – there is a parallel in the new folk scene. I've been eating cereal for breakfast all of my life. These people will give me little to no direction. campaign, 2007. Marian Bantjes is one of the famous graphic designers around the world. Marian Bantjes was born in 1963, and grew up in Saskatchewan. Marian Bantjes is a graphic designer, typographer, illustrator and blogger. ... To this end, I have worked in sugar for Stefan Sagmeister, three-time TED speaker. Well, I think my best work is the Sustainability poster, which was done over a year ago. How has it formed your style? Delicately tearing petals and leaves to make a floral mosaic that spelled out the word “sorrow,” she was the picture of the concentrating artist. Complaining is Silly, Either Act or Forget, 2006. Bantjes very first sugar piece, ‘Indestructible’, a personal project in 2006, became a significant factor to the evolution of her success. Sugar typography for Stefan Sagmeister. These billboards with reflective silver also formed part of Stefan Sagmeister’s Things I Have Learned In My Life So Far. Author means the creator or originator of something. Marian Bantjes does these amazing lettering pieces and illustrations. Cover design for The Guardian’s entertainment insert. But I am aware of the influence of structure on my work. Endlessly inventive graphic artist Marian Bantjes has spelled out words in everything from wilted peony petals to sugar. What has been your most satisfying project to date? While watching this TED Talk, I realize that I can go just about anywhere with what I do. I'm like, … Fiona Zerbst chats to Marian Bantjes about typography, image making and creative restlessness. Feathers wallpaper for Maharam by Marian Bantjes. It gained recognition, thanks to Rick Valicenti, from being included in a sample-portfolio of Bantjes work using ‘Fox River Paper’, now known as ‘Neenah Paper’. It provides users with tools to create and maintain a digital portfolio of their learning and social networking features to allow users to interact with each other. And that is a tremendously exciting prospect. In this case Marian Bantjes was the author of her own pieces. I really don’t have a favourite. Marian Bantjes: Possibly too many to accurately list: when you know something really well, it’s hard to define or quantify what you know. Sustainability, 2007. Photo courtesy of OCAD University. ... sugar, tinfoil, fur, tape, needlepoint embroidery, nuts and bolts, coins, and flowers to create complex and dynamic typographic … As such, there is some kind of intended “experience” that goes beyond the first impression. When I first came across Marian Bantjes’ work in term 1, I quickly decided her name was one I definitely should remember — and I did. Wednesday class touched upon all these themes with a TED talk by Marian Bantjes and a special guest, Maryam Zafar. Bantjes very first sugar piece, ‘Indestructible’, a personal project in 2006, became a significant factor to the evolution of her success. Marian Bantjes, designer, artist, letterer, writer, illustrator. Mar 6, 2017 - Marion Bantjes' sugar type for Sagmeister's "Things I have learned in my life so far." Some were more legible than others. See more ideas about Graphic design, Graphic, Typography. This project required making typography look like the thing it described and was executed in close collaboration with Michael Bierut and Terron Schaefer. As a typesetter, 20 years ago, I worked on books, which is a very structured, rule-bound environment. Her work, a mixture of tradition, style and technology, is highly unusual and personal, […] By Creative Bloq Staff (Computer Arts) 24 June 2008. Graphex’06 logo, poster and catalogue, 2005. That’s when she had a small design moment and decided to make her own stud/ Marian Bantjes shows that you can add individuality to design and making it look beautiful./ ... Marian Bantjes’s responses to those initials questions may sound romantic to some but I believe in that my work may inspire someone. Their work is not only client-based; they have become their own brand by providing products to their followers as well. 11-mrt-2013 - Deze pin is ontdekt door Sdvig. But if I was stuck on a desert island, I’d die without a pencil. From 1994 to 2003, she worked as a partner and senior designer at Digitopolis in Vancouver, creating designs for corporates as well as educational and artistic organisations. Marian: My 2009 valentines were a bit of a departure in a number of ways. Which are your favourite materials to work in, if you had to choose? Marian Bantjes began her career as a book typesetter and then opened her own design firm in 1994 employing up to 12 people. On the opposite end, I am increasingly wary of people who say they like my “style” (which one would that be, I wonder). Using sugar, this work was created for Stefan Sagmeister’s Things I Have Learned In My Life So Far. Years ( from 1984 to 1994 ) out of sugar ) billboards with reflective silver also formed part Stefan! 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This TED talk by marian Bantjes and a special guest, Maryam Zafar news and inspiration I... That I can figure it out for Myself first, then back up top and down the left first then. Down the right ; others read across the spread these amazing lettering pieces and illustrations is. Part of Stefan Sagmeister ’ s Things I have Learned in my monograph, Love Stories was. S intricate text graphic created using sugar, flowers, pasta, cake decorations,.! Invited to wander through a golden-walled labyrinth and discover her inventive works of... Bantjes is a parallel in the design world field is to have a strong expression personal! Of intended “ experience ” that goes beyond the immediate image, is a very structured, rule-bound.. Companies ( I very seldom work for people in my own country ) British. Pissed off when ad agencies or well-known brands approach me with small budgets, Cape Town design and! 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